Kent Nagano

It is due to historical performance practice that nowadays there is a much different understanding of many composers and their works than was standard 30 or 40 years ago. Moreover, thanks to historicized approaches, we have gained knowledge about instruments and playing techniques which opens up to us new, pioneering pathways into the interpretation and performance of our music.

Richard Wagner’s “The Ring of the Nibelung” is probably one of the most researched compositions yet nonetheless, a systematic approach to the tetralogy from a historically-informed perspective has not been attempted thus far. It is therefore all the more important that such an undertaking is tackled and that, in romantic repertoire now as well, normality in terms of sound which seemed irrefutable so far is called into question.

I have collaborated together with Concerto Köln for several projects in the past and am convinced that I have found two most competent partners in the Cologne ensemble and the Kunststiftung NRW who are able to provide the scientific basis for a historically-informed reading of Richard Wagner’s “Ring”. Together we will pursue this endeavor and bring the music to the stage!

Kent Nagano, General Management of WAGNER-READINGS